灰塵黑白講:電影配樂與黑膠唱片,你要幹什麼?
電影配樂,不是電影+音樂 就可以、就成了!!!
您必須了解所搭配音樂和該電影的關聯性甚至在不同劇情出現時,該配樂的適格性。
以下所講的是,若您想根據市場需要寫一本書,或是做出某樣東西,若您無法完全將您自己掏出來並全心投入,您是根本不知自己在幹甚麼,奢談還想寫本書,或是秀出您想表達的和該電影配樂有關的黑膠唱片,不是您想寫甚麼書就隨便去寫,或是想賣甚麼黑膠唱片就去賣,只是隨意找出一部電影的配樂而已。
If you write a book that has high market demand, but it’s not the book you want to write, it’s possible you’ll write a decent book. But it’s unlikely because you lack conviction about what you want to write.
Just because there’s a market for something doesn’t necessarily mean you should build it to meet the needs of that market. If you don’t give a damn about the problem you’re solving, it’s not very likely you’ll be successful.
There are three variables to consider to determine product founder fit: Context, Probability, and Possibility. But cognitive biases distort our perception and cause us to ignore the probability of success and focus only on the possibility.
In response to Johnny Lin
沒有認真看電影
電影外傳和本傳分不清
沒有認真暸解電影配樂
導演和配樂者的關連性
配樂者的風格
主講內容整個跳針
選放的音樂和講的內容不怎麼密切
最後就變成
他放的黑膠
只是現場要賣的